Disclaimer: I’m an idiot when it comes to short stories and novellas. I always feel like I am missing something or that something has been kept out of the story.
Metatropolis is an interesting project: five established science-fiction writers produce stories on a common theme with some, but not too much, overlap (AKA the shared-world genre). Initially, the project was released as an audiobook, then turned into a book (with a great cover design, in my opinion). John Scalzi is the editor and the author of one of the stories. The other authors are Jay Lake (whose story opens the collection), Tobias Buckell, Elizabeth Bear and Karl Schroeder.
All the stories take place in a post-affluence, post-fossil fuel future. The oil is finally largely gone. Environmental degradation has finally vanquished the unsustainable lifestyles of Western societies. So how do people live in what were the major structures of the post-scarcity world, the cities? In a way, it’s like all the authors sat down with Saskia Sassen and got the run down on global cities and global flows.
The basic premise of all the stories is to explore how people live and work as the major social institutions institutions and structures collapsed, including capitalism. What economic systems emerge out of the rubble? Which categories of people come out on top? What does the post-national, post-capitalist world look like? And what of the new technologies, the Web 2.0 stuff? What use are they in this context? What kinds of social solidarity.
Indeed, all the stories revolve around a character trying to find his/her place in this new world and navigate its omnipresent dangers, risks and insecurities. The stories depict a world of thorough surveillance society combined with some measure of anarchy as many groups successfully manage to create their own parallel realities, real or virtual. In all the stories, precarious conditions are the norm. Certainties are gone. The main characters hop from odd job to odd job without much direction. They are perpetual consultants based on their skills but always literally and figuratively out of place.
And so, each story proposes its own version of social structuring after the end of oil. In Jay Lake’s story, it’s the Cascadian neo-anarchist, living-in-harmony-with-nature commune. In Tobias Buckell’s story, it’s the eco-terrorist collectives reclaiming of urban space for sustainable, vertical agriculture. In Elizabeth Bear’s story, this reclaiming takes place partly outside of the city. In John Scalzi story, we see more clearly the return of the medieval, yet high-tech, zero footprint, city-state, sovereign and autonomous, and closed-off to The Wilds (everything outside of it) fighting off the “Barbarians at the Gate”. And in Karl Schroeder’s story, the new cities / societies take the form of alternate virtual realities.
All the stories are stories of struggle: the main characters struggle with the consequences of their past actions, struggle to find their place in this new world but are often nomads. Surviving doing odd jobs, they find themselves in the middle of power plays between different groups, often the remnants of the oil society who try to hold on to what is left, using the security company Edgewater (does that sound familiar?) to do their dirty work of cracking a few eco-freaks and anarchist skulls versus the urban renewal groups. Metatropolis is a world in flux. Old boundaries have disappeared (including boundaries between the real and the virtual) and the major societal struggles are between those who wish to erect new barriers and those who accept to live in a world of flows.
Which means, of course, that social inequalities have not disappeared. There are still privileged classes (those who have access to the remaining resources and hold on to them) and the disadvantaged masses, trying to figure out how to survive in the dislocated (literally and figuratively) world. In this context, the forms of solidarity that emerge are of the tribal or network type. Whatever security is to be found in the real world come from joining a tribe and in the virtual alternate realities, from plugging into networks. Indeed, in Karl Schroeder’s story, Manuel Castells’s network society has found it full incarnation (an inadequate term for virtual societies overlaid over the real one).
In other words, Metatropolis raises the perennial sociological question of the possibility of social order in the post-affluence, post-fossil fuel world and each other provides his/her specific answer. The city, in all the stories, remains at the heart of social structuration, albeit in a permanently conflicting and blurry way. These globally-connected cities truly are Saskia Sassen’s global assemblages.